European Cinema and Intertextuality

Titre : European Cinema and Intertextuality
Auteur : E. Mazierska
Éditeur : Springer
ISBN-13 : 9780230319547
Libération : 2011-07-12

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This book offers an up-to-date approach to the question of representing history through film, exploring how films represent crucial events in twentieth-century European history. This includes the Second World War, Armenian Genocide, anti-Semitic attacks in Poland, European terrorism of the 1970s, and the end of communism.

The Supernatural Revamped

Titre : The Supernatural Revamped
Auteur : Barbara Brodman
Éditeur : Rowman & Littlefield
ISBN-13 : 9781611478655
Libération : 2016-04-20

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This book presents the supernatural as a truly international phenomenon, not restricted to the original folk characters, their literary representations, or their representation in film and popular media. Instead, we move around the world and into the twenty-first century, reshaping legends into a post-modern image that is psychologically and socially relevant while retaining elements of folklore mixed with a hint of science fiction.

Contemporary Research on Intertextuality in Video Games

Titre : Contemporary Research on Intertextuality in Video Games
Auteur : Duret, Christophe
Éditeur : IGI Global
ISBN-13 : 9781522504788
Libération : 2016-06-16

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Culture is dependent upon intertextuality to fuel the consumption and production of new media. The notion of intertextuality has gone through many iterations, but what remains constant is its stalwart application to bring to light what audiences value through the marriages of disparate ideology and references. Videogames, in particular, have a longstanding tradition of weaving texts together in multimedia formats that interact directly with players. Contemporary Research on Intertextuality in Video Games brings together game scholars to analyze the impact of video games through the lenses of transmediality, intermediality, hypertextuality, architextuality, and paratextuality. Unique in its endeavor, this publication discusses the vast web of interconnected texts that feed into digital games and their players. This book is essential reading for game theorists, designers, sociologists, and researchers in the fields of communication sciences, literature, and media studies.

The Cinema of Steven Spielberg

Titre : The Cinema of Steven Spielberg
Auteur : Nigel Morris
Éditeur : Wallflower Press
ISBN-13 : 1904764886
Libération : 2007-01

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Detailed textual analysis of films from Spielberg's entire career reveal that alongside conventional commercial appeal, his movies function as a self-reflexive, they invite divergent readings and self-conscious spectatorship which contradict assumptions about their ideological tendencies.

Toward a Cinema of Exhaustion

Titre : Toward a Cinema of Exhaustion
Auteur : John Templin Schliesser
Éditeur :
ISBN-13 : UCAL:C3388582
Libération : 1995

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John Templin Schliesser A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Toward a Cinema of Exhaustion Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.

Hong Kong Cinema Since 1997

Titre : Hong Kong Cinema Since 1997
Auteur : V. Lee
Éditeur : Springer
ISBN-13 : 9780230245433
Libération : 2009-09-29

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Taking as its point of departure the three recurrent themes of nostalgia, memory and local histories, this book is an attempt to map out a new poetics - the 'post-nostalgic imagination' - in Hong Kong cinema in the first decade of Chinese rule.

The Mystical Gaze Of The Cinema

Titre : The Mystical Gaze Of The Cinema
Auteur : Richard Leonard
Éditeur : Academic Monographs
ISBN-13 : 0522859941
Libération : 2009-02-15

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Fascinating, engaging and provocative ... This finely researched study is a must-read for film scholars, film lovers and anyone interested in the spiritual dimensions of popular culture and popular entertainment. Barbara Creed, Professor of Screen Studies, Head of the School of Culture and Communication, University of Melbourne A highly original work of scholarship ... The Mystical Gaze of the Cinema is meticulously researched, theoretically informed and written in a style that is at once graceful and accessible. Robert Rosen, Dean, UCLA School of Theater, Film and Television 'Magical', 'out of this world', 'an experience you'll never forget': Peter Weir's films have enthralled audiences around the globe. Whether in iconic Australian works such as Picnic at Hanging Rock and Gallipoli or international mainstream thrillers such as Witness, Weir has deliberately created mystical movie experiences. Modern cinema studies is used to dissecting films on the basis of gender, class or race: now, for the first time, Richard Leonard shows that a mystical gaze also exists and is exercised in the secular multiplex temples of today. The Mystical Gaze of the Cinema is a meticulous and accessible book that uses a psychoanalytic approach incorporating the insights of Jung, film theory and theology to break new ground in what continues to be a hot topic in cinema studies: the spectator–screen relationship. Leonard provides a fresh, innovative and provocative perspective on what happens when we behold a film.

The Cinema of Australia and New Zealand

Titre : The Cinema of Australia and New Zealand
Auteur : Geoff Mayer
Éditeur : Wallflower Press
ISBN-13 : 1904764967
Libération : 2007

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From The Story of the Kelly Gang in 1906 to the Lord of the Rings trilogy, Australia and New Zealand have made a unique impact on international cinema. This book celebrates the commercially successful narrative feature films produced by these cultures as well as key documentaries, shorts, and independent films. It also invokes issues involving national identity, race, history, and the ability of two small film cultures to survive the economic and cultural threat of Hollywood. Chapters on well known films and directors, such as The Year of Living Dangerously (Peter Weir, 1982), The Piano (Jane Campion, 1993), Fellowship of the Ring (Peter Jackson, 2001), and Rabbit Proof Fence (Philip Noyce, 2002), are included with less popular but equally important films and filmmakers, such as Jedda (Charles Chauvel, 1955), They're a Weird Mob (Michael Powell, 1966), Vigil (Vincent Ward, 1984), and The Goddess of 1967 (Clara Law, 2000).

Supernatural Entertainments

Titre : Supernatural Entertainments
Auteur : Simone Natale
Éditeur : Penn State Press
ISBN-13 : 9780271077376
Libération : 2016-02-24

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In Supernatural Entertainments, Simone Natale vividly depicts spiritualism’s rise as a religious and cultural phenomenon and explores its strong connection to the growth of the media entertainment industry in the nineteenth century. He frames the spiritualist movement as part of a new commodity culture that changed how public entertainments were produced and consumed. Starting with the story of the Fox sisters, considered the first spiritualist mediums in history, Natale follows the trajectory of spiritualism in Great Britain and the United States from its foundation in 1848 to the beginning of the twentieth century. He demonstrates that spiritualist mediums and leaders adopted many of the promotional strategies and spectacular techniques that were being developed for the broader entertainment industry. Spiritualist mediums were indistinguishable from other professional performers, as they had managers and agents, advertised in the press, and used spectacularism to draw audiences. Addressing the overlap between spiritualism’s explosion and nineteenth-century show business, Natale provides an archaeology of how the supernatural became a powerful force in the media and popular culture of today.

Folklore cinema

Titre : Folklore cinema
Auteur : Sharon R. Sherman
Éditeur : Utah State Univ Pr
ISBN-13 : 0874216737
Libération : 2007-09-30

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SEQ CHAPTER \h \r 1Interest in the conjunctions of film and folklore is stronger and more diverse than ever. Ethnographic documentaries on folk life and expression remain a vital genre, but scholars such as Mikel Koven and Sharon Sherman also are exploring how folklore elements appear in, and merge with, popular cinema. They look at how movies, a popular culture medium, can as well be both a medium and type of folklore, playing cultural roles and conveying meanings customarily found in other folkloric forms. They thus use the methodology of folklore studies to “read” films made for commercial distribution. The contributors to this book look at film and folklore convergences, showing how cinema conveys vernacular—traditional and popular—culture. Folklore/ Cinema will be of interest to scholars from many fields—folklore, film studies, popular culture, American studies, history, anthropology, and literature among them—and will help introduce students in various courses to intersections of film and culture.