Splat the Cat Oopsie Daisy

Titre : Splat the Cat Oopsie Daisy
Auteur : Rob Scotton
Éditeur : HarperFestival
ISBN-13 : 0062115855
Libération : 2014-02-04

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Join Splat the Cat in New York Times bestselling author-artist Rob Scotton's hilarious springtime adventure! Splat and Seymour plant a seed and watch it grow in this edition of the Splat the Cat picture book series. Fans of Splat will delight as they learn all about gardening. Complete with a sheet of fun stickers.

Do Super Heroes Have Teddy Bears

Titre : Do Super Heroes Have Teddy Bears
Auteur : Carmela LaVigna Coyle
Éditeur : Taylor Trade Publishing
ISBN-13 : 9781589796942
Libération : 2012-05-16

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Follow along as two ragtag, everyday super heroes don capes to play in the mud, save their stuffed animals from certain peril, conquer the vegetables at dinner, and overcome darkness at night. Are super heroes always brave and daring? We’re brave and bold and kind and caring. After five successful books in the “Princesses” series, Carmela LaVigna Coyle now turns her attention to an all new childhood fantasy in this wonderful new story about imagination and play. Every little boy and girl has a super hero somewhere inside just waiting to come out. Tie on your cape (blankies recommended) and join the adventure. P.S. Do super heroes have teddy bears? Why, yes, they do! Check out the trailer on YouTube

Irving Penn

Titre : Irving Penn
Auteur : Maria Morris Hambourg
Éditeur : Metropolitan Museum of Art
ISBN-13 : 9781588396181
Libération : 2017-04-21

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Irving Penn (1917-2009) was among the most esteemed and influential photographers of the twentieth century. Over the course of a nearly seventy-year career, he mastered a pared-down aesthetic of studio photography that is distinguished for its meticulous attention to composition, nuance, and detail. This indispensable book features one of the largest selections of Penn's photographers ever compiled–nearly 300 in all–including famous and beloved images as well as works that have never been published. Celebrating the centennial of Penn's birth, this lavish volume spans the entirety of his groundbreaking career. An enlightening introduction situates his work in the context of the various artistic, social, and political environments and events that affected the content of his photographs. Lively essays acquaint readers with Penn's primary subjects and campaigns, including early documentary scenes and imagery; portraits of cultural figures and celebrities; fashion; female nudes; peoples of Peru, Dahomey (Benin), New Guinea, and Morocco; and still lifes. Rounding out the book are discussions of Penn's advertising pictures and his painstaking printing processes, as well as an illustrated chronology. Irving Penn: Centennialis essential for any fan of this artist's work or of the history of twentieth-century photography.

Provoke Between Protest and Performance

Titre : Provoke Between Protest and Performance
Auteur : Diane Dufour
Éditeur : Steidl
ISBN-13 : 3958291007
Libération : 2016-04-01

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The short-lived Japanese magazine Provoke is recognized as a major achievement in world photography of the postwar era, uniting the country's most contentious examples of protest photography, vanguard fine art, and critical theory of the late 1960s and early 70s in only three issues overall. Provoke is accordingly treated here as a model synthesis of the complexities and overlapping uses of photography in postwar Japan. The writing and images by Provoke's members - critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yutaka Takanashi, Daido Moriyama - were suffused with the tactics developed in some Japanese protest books which made use of innovative graphic design and provocatively "poor" materials. Recording live actions, photography in these years was also an expressive form suited to emphasize and critique the mythologies of modern life with a wide spectrum of performing artists such as Nobuyoshi Araki, Koji Enokura and Jiro Takamatsu. This catalogue accompanies the first exhibition ever to be held about the magazine and its creators and focuses on its historical context. It covers the preliminary period leading to its first and the aftermath following its last issue. Provoke takes shape as a strongly interpretative explanation of currents in Japanese art and society at a moment of historical collapse and renewal.

The Memory of Place

Titre : The Memory of Place
Auteur : Dylan Trigg
Éditeur : Ohio University Press
ISBN-13 : 9780821444047
Libération : 2012-01-09

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From the frozen landscapes of the Antarctic to the haunted houses of childhood, the memory of places we experience is fundamental to a sense of self. Drawing on influences as diverse as Merleau-Ponty, Freud, and J. G. Ballard, The Memory of Place charts the memorial landscape that is written into the body and its experience of the world. Dylan Trigg’s The Memory of Place offers a lively and original intervention into contemporary debates within “place studies,” an interdisciplinary field at the intersection of philosophy, geography, architecture, urban design, and environmental studies. Through a series of provocative investigations, Trigg analyzes monuments in the representation of public memory; “transitional” contexts, such as airports and highway rest stops; and the “ruins” of both memory and place in sites such as Auschwitz. While developing these original analyses, Trigg engages in thoughtful and innovative ways with the philosophical and literary tradition, from Gaston Bachelard to Pierre Nora, H. P. Lovecraft to Martin Heidegger. Breathing a strange new life into phenomenology, The Memory of Place argues that the eerie disquiet of the uncanny is at the core of the remembering body, and thus of ourselves. The result is a compelling and novel rethinking of memory and place that should spark new conversations across the field of place studies. Edward S. Casey, Distinguished Professor of Philosophy at Stony Brook University and widely recognized as the leading scholar on phenomenology of place, calls The Memory of Place “genuinely unique and a signal addition to phenomenological literature. It fills a significant gap, and it does so with eloquence and force.” He predicts that Trigg’s book will be “immediately recognized as a major original work in phenomenology.”